Sarah Lynch is an award-winning composer for screen who is best known for her scores to the following award-winning films, The 8th (Cowtown Pictures), the Tribeca selected documentary The Seeker (Topic), Tina Times Two (Dyehouse Films) as well as Hadi Hajaig’s revenge thriller, Don’t Leave Me. She is also a regular collaborator of BIFA winning composer, Stephen Rennicks, most recently working with him on Death Of A Ladies Man as well as BBC/HULU’s hit series Normal People.

Sarah’s versatility as a composer has been forged through her background of performance and study in a variety of musical styles including classical, folk, experimental and rock.

As a touring/session violinist, Sarah has, over the years, performed live/recorded with an impressive range of artists including Hozier, (performing tracks on his Billboard No. 1 album, ‘Wasteland Baby’), Edward Sharpe and the Magnetic Zeros, Glen Hansard, Paul Brady, Shane McGowan, Mundy, Mumford and Sons, and Ed Sheeran. She has also composed orchestral arrangements for prominent artists such as the legendary Mary Black.

In July 2019, Sarah was chosen as 1 of 12 composers worldwide to participate in the prestigious ASCAP Film Scoring Workshop, which culminates in a 65-piece orchestral recording session at Fox Studios.

Sarah was the 2019 recipient of the Michelle and Dean Kay Award, which was presented to her in December at the Lincoln Centre in New York, by the ASCAP Foundation.

In August 2019, Sarah was nominated for the Peer Rabin Music Award at the prestigious Soundtrack Cologne Festival, and in October 2019, she was nominated for a Jerry Goldsmith Award for her composition, Transient Thoughts.

Sarah is a board member of the Screen Composers Guild of Ireland and is represented by Juliet Martin of Silverstream Music.